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Ausstellungsmotiv Karin Kneffel: Ausschnitt einer Hausfront mit Tulpen im Vordergrund. Foto: Max Ernst arbeitet an einem Wandgemälde für die Corso-Bar Foto: Aussenansicht des Max Ernst Museums Brühl des LVR Foto: Eine Kinderführung durch die Schausammlung im Wechsel Foto: Eine Ansicht der Schausammlung im Wechsel Foto: Foyer des Max Ernst Museums Foto: Ein Kind schaut sich in der Schausammlung im Wechsel Bilder von Max Ernst an Foto: Eine Aussenansicht des Fantasie Labors des Museums Foto: Ein Besucher in der Schausammlung im Wechsel vor einer Plastik von Max Ernst Foto: Hinweis zur Buchungsmöglichkeit Online Tickets

Techniques

Max Ernst was a painter, draughtsman, sculptor and inventor of new artistic techniques. In his search for possibilities for expression, especially the promotion of Surrealism following a "renunciation of the primacy of logic, a thought diktat without any control of reason” proved to point the way ahead, through which a play of thoughts similar to that of dreams and hallucinations was to be achieved.

Max Ernst designed many of his paintings through frottage, for example, his Histoire Naturelle, in which he rubbed a variety of textures from materials, like, for example, wooden boards, leaves and straw onto a sheet of paper with a pencil and used this as the starting point for many representational associations and interpretations.

He used collage for his collage novel “Une semaine de bonté”. To this purpose, he cut up illustrations from old books and combined the fragments to create new, mysterious worlds.

In his search for new technical possibilities for avoiding the direct application of paint, Max Ernst developed grattage. With this technique, a canvas is painted with many layers of paint and then laid over a rough fabric or other objects. The paint is scraped off again with a scraper, so that a pattern of the objects beneath becomes visible.

Other paintings originated with the blot or decalcomania process. In this process, thinly applied oil paint is pressed flat onto the canvas with a pane of glass or a sheet of paper. When lifted, random

bubbles and branches result in a variety of surface textures, which Max Ernst used as inspiration for finding forms and elaborating landscapes, figures and monsters from them.

For his sculptures, Max Ernst used everyday objects like egg cartons, pots, rolls of yarn and wire, applied them as cast forms and transformed their meaning through his sometimes imaginative, sometimes humorous new combinations.