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Welcome to the press service area, where you can download copyright-protected image material in print quality. Please use all images provided for download only in the context of current reporting on the Max Ernst Museum Brühl of the LVR and follow the instructions for use when publishing.

Please note that some press photos are saved in a password-protected area due to their rights requirements. The photo material is free of charge in the context of current reporting. We would be pleased to receive a reference copy for our media review.

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FRAUKE DANNERT – DESERT AFTER RAIN

New Perspectives in the Leonora Carrington Hall
November 29, 2024 until March 9, 2025

The Desert After Rain exhibition in the Leonora Carrington Hall presents works on paper and canvas as well as wall paintings of the artist Frauke Dannert, who lives and works in Cologne.

Frauke Dannerts (born 1979 in Herdecke) creative manner of expression is based on the technique of collage, which she uses in her graphic and painting works in diverse and exciting ways. The exhibition title is a poetic reference to the artistic work of Max Ernst. Inspired by the fantastic landscape spaces and the wealth of forms in his work, Frauke Dannert has created new series of work especially for the exhibition.

Press release Frauke Dannert – Desert After Rain and Preview 2025 (PDF, 355 KB)

Press image 1 Installation view Frauke Dannert – Desert After Rain. New Perspectives in the Leonora Carrington Hall, Max Ernst Museum Brühl of the LVR, Photo: LVR-ZMB / Nicole Schäfer
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Press image 2 Installation view Frauke Dannert – Desert After Rain. New Perspectives in the Leonora Carrington Hall, Max Ernst Museum Brühl of the LVR, Photo: LVR-ZMB / Nicole Schäfer
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Press image 3 Installation view Frauke Dannert, Gelenk (Hinge), 2024, Collage on Paper, photo: LVR-ZMB / Nicole Schäfer
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Press image 4 Installation view Frauke Dannert, Stein auf Stein (Stone on Stone), 2024, wall painting, with Max Ernst's sculpture The King Playing with the Queen (1944) © VG Bild-Kunst, Bonn 2024, photo: LVR-ZMB / Nicole Schäfer
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Press image 5 Installation view Frauke Dannert, Stein auf Stein (Stone on Stone), 2024, wall painting, with Max Ernst's sculpture The King Playing with the Queen (1944) © VG Bild-Kunst, Bonn 2024, photo: LVR-ZMB / Nicole Schäfer
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Press image 6 Installation view with Frauke Dannert in the exhibition Desert After Rain. New Perspectives in the Leonora Carrington Hall, Max Ernst Museum Brühl of the LVR, Photo: LVR-ZMB / Nicole Schäfer
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Preview 2025

Press release Preview 2025 and Frauke Dannert – Desert After Rain (PDF, 355 KB)

Hypercreatures – Future Mythologies
March 22 until October 5, 2025

Max Ernst used scalpel and scissors to dissect images of human and non-human bodies and to assemble them into new beings in his surrealistic collages. With a view to societal changes and current developments in science and technology, the international group exhibition presents visions of mixed beings that combine elements of humans, animals, machines or plants, and thus providing impetus for the development of new shared narratives.
In a dialogue process with works by Max Ernst, around 20 contemporary artists are asking themselves how the role of humans can be rethought in the face of acute global crises. The Hypercreatures exhibition with international positions from the fields of sculpture, painting and collage as well as video and media art (gaming, VR) can be seen from 22 March to 5 October 2025.

Press image 1 Federico Cuatlacuatl, Xochipitzahuatl-Nova, 2024, 3 channel video installation (still), photo: © David Morales
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Farah Ossouli – New Perspectives in the Leonora Carrington Hall
June 27 until October 5, 2025

The Iranian artist Farah Ossouli (born 1953 in Zanjan, Iran, lives and works in Tehran, Iran) is one of the first artists to draw inspiration from classical Persian miniature painting while creating independent, contemporary works that refer to the political situation in Iran.
Her unique paintings reveal multidisciplinary approaches from the fields of photography, film, literature and theatre: she subtly interweaves classical motifs from Western art history with current political issues in Iran, which serve as a catalyst for feminist themes and oppression by the Iranian regime.
For her solo exhibition at the Max Ernst Museum Brühl of the LVR, she is creating a new series of works with direct references to Max Ernst's time-critical collage novel Une semaine de bonté.

Press image 1 Farah Ossouli, Fra Angelico, Ahmad and I, 2012, gouache on paper, photo: © Farah Ossouli
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ALBERTO GIACOMETTI – UNVEILED SURREALISM

at the Max Ernst Museum Brühl of the LVR,

1 September 2024 to 15 January 2025

The Max Ernst Museum Brühl of the LVR is dedicating a major exhibition to Swiss sculptor, painter, and draughtsman Alberto Giacometti (1901–1966). Organized in collaboration with the Fondation Giacometti in Paris and on the occasion of Surrealism’s centennial, the exhibition offers a unique perspective on Giacometti’s work, explored here through the lens of Surrealism and for the first time, highlights the artist’s friendship and creative ties with Max Ernst. The exhibition comprises over 70 works by Giacometti, including sculptures, drawings, paintings, and prints. It also displays works by Ernst, as well as photographs and archives that underscore the ties between the two artists.

Please note that a free use of these press images is permitted exclusively in the context of current reporting until 6 weeks after the end of the exhibition, as long as the image details and the respective copyright notices are mentioned, e.g. : © Succession Alberto Giacometti / Adagp, Paris 2024

For your information:
For the use of a Giacometti press image in Germany, the copyright notice is © Succession Alberto Giacometti / VG Bild-Kunst, Bonn 2024. For uses in France, the copyright notice is © Succession Alberto Giacometti / Adagp, Paris 2024.

For uses in other countries, please use the copyright notice of the collecting society of the respective country where the use takes place: © Succession Alberto Giacometti / (copyright notice of the collecting society of the respective country).

Further notes: The works may not be altered. Detailed illustrations and / or overprinting of text are not permitted or only with the authorization of the copyright holders, if required.

We would be pleased to receive a reference copy!

Press kit Alberto Giacometti – Unveiled Surrealism (PDF, 1.66 MB)

Installation view 1 Alberto Giacometti: Unveiled Surrealism, Max Ernst Museum Brühl of the LVR, Fondation Giacometti, © Succession Alberto Giacometti / VG Bild-Kunst, Bonn 2024, Foto: J.Vogel / LVR
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Installation view 2 Alberto Giacometti: Unveiled Surrealism, Max Ernst Museum Brühl of the LVR, Fondation Giacometti, © Succession Alberto Giacometti / VG Bild-Kunst, Bonn 2024, Foto: J.Vogel / LVR
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Installation view 3 Alberto Giacometti: Unveiled Surrealism, Max Ernst Museum Brühl of the LVR, Fondation Giacometti, © Succession Alberto Giacometti / VG Bild-Kunst, Bonn 2024, Foto: J.Vogel / LVR
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Press image 1 Alberto Giacometti, Le Nez (The Nose), 1949, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 2 Alberto Giacometti, Femme couchée qui rêve (Reclining Woman Who Dreams), 1929, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 3 Alberto Giacometti, Boule suspendue (Suspended Ball),1930 (1965 version), Fondation Giacometti © Succession Alberto Giacometti /Adagp, Paris 2024
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Press image 4 Alberto Giacometti, Femme cuillère (Spoon Woman), 1927, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 5 Alberto Giacometti, Objet désagréable à jeter (Disagreeable Object To Be Thrown Away), 1931, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 6 Alberto Giacometti, La forêt (The Forest), 1950, Fondation Giacometti © Succession Alberto Giacometti /Adagp, Paris 2024
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Press image 7 Alberto Giacometti, Buste d‘homme (Bust of a Man), 1961, Fondation Giacometti, © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 8 Alberto Giacometti, La Cage, première version (The Cage, First version), 1949–1950, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 9 Alberto Giacometti, Le Couple (The Couple), 1926, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 10 Alberto Giacometti, Homme debout (Standing Man), ca. 1951, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 11 Alberto Giacometti, Objet (Object), 1931–1932, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 12 Alberto Giacometti, Le palais à 4 heures du matin (The Palace at 4 a.m.), 1932, Fondation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2024
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Press image 13 Max Ernst, Tête d’oiseau mordant une pierre (Head of a Bird Biting a Stone), 1935, Max Ernst Museum Brühl of the LVR, gift of Dorothea Tanning, Max Ernst Foundation © Adagp, Paris 2024
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Press image 14 Unknown Photographer, Luciano, Odette, Diego Giacometti, Bianca, Ada, Alberto Giacometti, und Max Ernst bei der Forno-Hütte (Luciano, Odette, Diego Giacometti, Bianca, Ada, Alberto Giacometti, and Max Ernst at the Forno Cabin), 1935, 1989 copyprint, gift from Bruno Giacometti © Max Ernst Museum Brühl of the LVR, Max Ernst Foundation
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Press image 15 (Portrait) Rogi André, Alberto Giacometti, c. 1935, Archives Fondation Giacometti
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COLLECTION

The Max Ernst Museum Brühl des LVR is the only museum dedicated to the life and work of the seminal artist, image poet, and cosmopolitan Max Ernst (1891–1976). The collection spans 70 years of one of the most important, versatile, and fascinating artists of the 20th century. Numerous paintings, drawings, frottages, and collages let visitors immerse themselves in the fantastic worlds of Max Ernst’s images and demonstrate his boundless inventiveness. Visitors can also look forward to seeing a unique collection of more than 70 bronze castings and sculptures. Another heart piece of the collection are the 36 "D-paintings".These works were originally painted as gifts to the artist’s fourth wife, Dorothea Tanning – a fellow artist who was a part of his life for more than three decades.

NOTES ON THE USE OF PRESS IMAGES FOR THE PERMANENT COLLECTION

Please take note of the image details and photo credits when publishing. We would be pleased to receive a reference copy for our media review.

Outside view Max Ernst Museum Brühl des LVR, Photo: Annette Hiller / LVR-ZMB
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Outside view Max Ernst Museum Brühl des LVR, Photo: Hans-Theo Gerhards / Museum
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Outside view Max Ernst Museum Brühl des LVR, Photo: Hans-Theo Gerhards / Museum
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